EVENT: Upcoming lecture will explore Tiffany’s work beyond windows

Favrile glass pieces from Tiffany's studios. Photo courtesy Wikimedia Commons.

Louis Comfort Tiffany is perhaps best known for his stained glass windows and lamps, but his blown Favrile glass creations deserve equal attention. The Favrile technique, which involves embedding dyes directly into molten glass instead of only treating the surface, results in an iridescent finish and vivid, concentrated swirls of color. Tiffany pioneered the Favrile process, and the works he produced using the technique will be highlighted in an upcoming talk on Tiffany hosted by the New York Metropolitan Glass Club on May 1, 2012. Noted Tiffany expert and collector Paul Doros will conclude his two-part lecture series on the life and work of the artist, beginning with a survey of Tiffany’s career and then focusing specifically on the Favrile glass pieces that Tiffany created in his studios in Corona, Queens. Doros is the author of The Tiffany Collection of the Chrysler Museum at Norfolk, and he is currently working on a book focusing on blown Favrile glass. Doros also hosts the Tiffany Studios Resource Center website. Continue reading

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RED DOT REPORT: A redesigned SOFA New York entices the eye but will it drive sales?

David Ling, the architect who put his mark on the interior of the Park Avenue armory for SOFA New York 2012, pictured with Art Fair Company president Mark Lyman. courtesy: www.sofaexpo.com

The organizers of SOFA New York took a cue from the ongoing renovation of the Park Avenue Armory‘s exterior to boldly re-imagine the interior design of their 15-year-old East Coast art fair for the 2012 edition. New York City architect David Ling was invited to remake the main exhibition area and its three aisles of booths.

Artist Paul Stankard (right) among the fair goers making their way through David Ling's white fabric entranceway to the exhibition area.

The result is a cloth-draped tunnel entrance that opens up into an airy expanse with geometric white block lighting suspended high overhead. “I conceived of it as a time machine-like procession,” says Ling in a prepared statement. “This procession leads visitors from the stately, Victorian-era foyer of the Armory through a long, narrow tunnel, tantalizing you with the prospect of an unknown but exciting journey.” Exhibitor booths were rearranged from years past so that veteran showgoers had to seek out their favorite galleries, and the number of dealers was pared back to 42, with the organizers asking not only that exhibitors submit the names of the artists whose work they would be showing for approval, but images as well. There were fewer jewelry or carpet sellers at this year’s event, and the fair had a decidedly more sophisticated look and feel, and yet the buyers, by the second day of the four-day event, were limited if the presence of red dots was any reliable indication.

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EVENT: Longtime UK trade fair hosts large selection of glass

Martin Andrews, stone collection bowl, photo courtesy: british craft trade fair

The longest running trade fair in the UKBritish Craft Trade Fair, finishes its three-day stint in Great Yorkshire Showground in Harrogate today. BCTF has been promoting the hand-made work of hundreds of exclusively British and Irish artists for 35 years. Strictly to the trade only, no manufactured products or products created overseas are allowed at the fair. Continue reading

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3 Questions For … Joanna Manousis

Joanna Manousis during a 2010 demo at the Toyama Glass Institute in Japan.

GLASS Quarterly Hot Sheet: What are you working on?
Joanna Manousis: I’ve just finished a new body of work for a solo gallery exhibition now on view in Corning, New York. The show, entitled “Fertile Ground,” consists of three groupings of glass and mixed-media sculpture that interconnect symbolically and in their conceptual narrative. This is the first time I’ve incorporated taxidermy birds in my work in an effort to explore the relationship of what is real and what is mimicry. I have a tendency to re-appropriate objects that exist in the world as a device to lure and engage a universal audience. Through spatial configuration, context and material I use the information connected with these objects to bring about an extended dialogue. Continue reading

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EVENT: WheatonArts plans weekend “Summer Celebration” to honor 50th anniversary of art from glass

WheatonArts' "Summer Celebration" commemorates the 50th Anniversary of Studio Glass, exploring glass art pieces and artists that both look back and look forward. photo: wheatonarts

In honor of the 50th anniversary of Studio Glass, visitors to WheatonArts will be feasting on improvisational artwork and fine cuisine in an event being billed as “Summer Celebration: 50/Forward.”  The action-packed three-day event set to take place at the end of June in Millville, New Jersey, promises glass demonstrations, presentations, and exhibitions exploring the spirit of innovation and strong teamwork that have defined a half-century of creative expression in glass. A special dinner celebration reserved for the invited artists and Wheaton-Arts high-level supporters will take place under the stars if weather permits on Saturday evening. Continue reading

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Pratt Fine Arts Center names Steve Galatro new executive director

Steven Galatro

The board of trustees at Pratt Fine Arts Center, a multidisciplinary arts education center in Seattle, has just announced the appointment of a new executive director. Steven Galatro will be replacing executive director Michelle Buffano who left the non-profit in February for a position at Chihuly Garden and Glass. Pratt has reached outside their team to fill Buffano’s vacant position. Galatro’s previous managing positions include Operations Manager at the Seattle University’s Fine Arts Department and Seattle’s Empty Space Theatre. Continue reading

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OPENING: A celebration of fluid forms at Seattle’s Traver Gallery

"Bait Ball" by Marsha Blaker-DeSomma/ Photo by Paul Schraub

A solo exhibition featuring California glass artist Marsha Blaker-DeSomma opened last week at the Traver Gallery in Seattle. The exhibition, “Diving Within,” includes new pieces that showcase the artist’s fascination with intricate organic forms. Composed of hundreds of thick disks of glass, her new works evoke the curving shapes and patterns that appear in nature on a microscopic level. “The organismic detail and intricacy in my work are inspired by my observations of nature,” said Blaker-DeSomma in her artist’s statement. Pieces such as Luscious and Bait Ball [pictured above] feature clusters of cell-like disks and tubes. Continue reading

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