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	<title>The GLASS Quarterly Hot Sheet</title>
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	<description>Making sense of sculpture and installations made from glass</description>
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		<title>The GLASS Quarterly Hot Sheet</title>
		<link>http://blog.glassquarterly.com</link>
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		<title>Canadian glass sculptor Ione Thorkelsson wins $25,000 Saidye Bronfman Award</title>
		<link>http://blog.glassquarterly.com/2010/03/10/canadian-glass-sculptor-ione-thorkelsson-wins-25000-saidye-bronfman-award/</link>
		<comments>http://blog.glassquarterly.com/2010/03/10/canadian-glass-sculptor-ione-thorkelsson-wins-25000-saidye-bronfman-award/#comments</comments>
		<pubDate>Wed, 10 Mar 2010 22:38:24 +0000</pubDate>
		<dc:creator>Andrew Page</dc:creator>
				<category><![CDATA[Award]]></category>
		<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://blog.glassquarterly.com/?p=3235</guid>
		<description><![CDATA[ Living in a small town in the prairie lands of Manitoba, nearly two hours from Winnipeg, sculptor Ione Thorkelsson has developed her own unique techniques of casting and her own subject matter — provocative glass skeletal forms that manage to be both organic and other-worldly. In her 2009 work Rex (pictured), a viewer is [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=blog.glassquarterly.com&blog=7723277&post=3235&subd=glassquarterly&ref=&feed=1" />]]></description>
		<wfw:commentRss>http://blog.glassquarterly.com/2010/03/10/canadian-glass-sculptor-ione-thorkelsson-wins-25000-saidye-bronfman-award/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
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	</item>
		<item>
		<title>Laura Donefer awarded week-long residency at the Toledo Museum</title>
		<link>http://blog.glassquarterly.com/2010/03/08/laura-donefer-awarded-week-long-residency-at-the-toledo-museum/</link>
		<comments>http://blog.glassquarterly.com/2010/03/08/laura-donefer-awarded-week-long-residency-at-the-toledo-museum/#comments</comments>
		<pubDate>Mon, 08 Mar 2010 21:10:20 +0000</pubDate>
		<dc:creator>Paul</dc:creator>
				<category><![CDATA[Events]]></category>
		<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://blog.glassquarterly.com/?p=3069</guid>
		<description><![CDATA[On May 1st, Laura Donefer, the American-born Canadian glass artist, received a telephone call from Jutta Annette-Page, curator of glass and decorative arts at the Toledo Museum of Art, informing her that she&#8217;d been chosen for the museum&#8217;s Guest Artist Pavilion Project (GAPP), now in its fourth year.
“I thought Jutta was playing a joke on [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=blog.glassquarterly.com&blog=7723277&post=3069&subd=glassquarterly&ref=&feed=1" />]]></description>
		<wfw:commentRss>http://blog.glassquarterly.com/2010/03/08/laura-donefer-awarded-week-long-residency-at-the-toledo-museum/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
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			<media:title type="html">Paul</media:title>
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			<media:title type="html">-7</media:title>
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			<media:title type="html">laura donefer</media:title>
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	</item>
		<item>
		<title>International Flameworking Conference celebrates 10 years by honoring one of its founders</title>
		<link>http://blog.glassquarterly.com/2010/03/07/international-flameworking-conference-celebrates-10-years-by-honoring-founder/</link>
		<comments>http://blog.glassquarterly.com/2010/03/07/international-flameworking-conference-celebrates-10-years-by-honoring-founder/#comments</comments>
		<pubDate>Sun, 07 Mar 2010 15:29:33 +0000</pubDate>
		<dc:creator>Andrew Page</dc:creator>
				<category><![CDATA[Events]]></category>
		<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://blog.glassquarterly.com/?p=3139</guid>
		<description><![CDATA[When the annual International Flameworking Conference takes place from March 19th to the 21st at Salem Community College in Carneys Point, New Jersey, the three-day gathering of devotees of the torch will be celebrating its own 10th anniversary.
To mark this milestone, organizers have invited the featured artists from each of the last nine conferences. Except [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=blog.glassquarterly.com&blog=7723277&post=3139&subd=glassquarterly&ref=&feed=1" />]]></description>
		<wfw:commentRss>http://blog.glassquarterly.com/2010/03/07/international-flameworking-conference-celebrates-10-years-by-honoring-founder/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
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			<media:title type="html">PaulStankard</media:title>
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	</item>
		<item>
		<title>Never leave Pilchuck: Island retreat complete with glass studio for sale</title>
		<link>http://blog.glassquarterly.com/2010/03/06/never-leave-pilchuck-island-retreat-complete-with-glass-studio-for-sale/</link>
		<comments>http://blog.glassquarterly.com/2010/03/06/never-leave-pilchuck-island-retreat-complete-with-glass-studio-for-sale/#comments</comments>
		<pubDate>Sun, 07 Mar 2010 02:58:46 +0000</pubDate>
		<dc:creator>Andrew Page</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://blog.glassquarterly.com/?p=3131</guid>
		<description><![CDATA[On Camano Island, Washington, less than 20 miles from the Pilchuck Glass School, a house is on the market that comes complete with a hot and cold shop, natural gas lines, and plenty of parking for visitors who already drive out each year on the Pilchuck tour of local glass studios. 
The soon-to-be-former home of [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=blog.glassquarterly.com&blog=7723277&post=3131&subd=glassquarterly&ref=&feed=1" />]]></description>
		<wfw:commentRss>http://blog.glassquarterly.com/2010/03/06/never-leave-pilchuck-island-retreat-complete-with-glass-studio-for-sale/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
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			<media:title type="html">glassquarterly</media:title>
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			<media:title type="html">ViewofSound</media:title>
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		<item>
		<title>3 Questions For &#8230; Michael Janis</title>
		<link>http://blog.glassquarterly.com/2010/03/05/3-questions-for-michael-janis/</link>
		<comments>http://blog.glassquarterly.com/2010/03/05/3-questions-for-michael-janis/#comments</comments>
		<pubDate>Fri, 05 Mar 2010 20:38:00 +0000</pubDate>
		<dc:creator>Andrew Page</dc:creator>
				<category><![CDATA[Artist Interviews]]></category>
		<category><![CDATA[New Work]]></category>

		<guid isPermaLink="false">http://blog.glassquarterly.com/?p=3122</guid>
		<description><![CDATA[ 
GLASS Quarterly Hot Sheet: What are you  working on?
Michael Janis: My artwork often deals with the complex questions of identity and patterns of behavior. I layer frit powder drawings of figures with elements of text or shapes to create a story. As a “lapsed architect,” I often find architectural elements working their way [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=blog.glassquarterly.com&blog=7723277&post=3122&subd=glassquarterly&ref=&feed=1" />]]></description>
		<wfw:commentRss>http://blog.glassquarterly.com/2010/03/05/3-questions-for-michael-janis/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
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			<media:title type="html">glassquarterly</media:title>
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			<media:title type="html">m.janis.work</media:title>
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		<title>Opening: Environmental concerns take center stage in Pittsburgh</title>
		<link>http://blog.glassquarterly.com/2010/03/04/opening-threats-to-the-environment-take-center-stage-in-pittsburgh-exhibition/</link>
		<comments>http://blog.glassquarterly.com/2010/03/04/opening-threats-to-the-environment-take-center-stage-in-pittsburgh-exhibition/#comments</comments>
		<pubDate>Thu, 04 Mar 2010 22:31:54 +0000</pubDate>
		<dc:creator>apekshavanjari</dc:creator>
				<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Opening]]></category>

		<guid isPermaLink="false">http://blog.glassquarterly.com/?p=3086</guid>
		<description><![CDATA[
The exhibition &#8220;From the Earth to the Fire and Back&#8220;  opening this Friday evening at the Pittsburgh Glass Center is timed to coincide with United Nations World Environment Day on June 5th, for which Pittsburgh has been named the North American host city. The exhibition will feature 28 local artists&#8217; recent work in sand,  [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=blog.glassquarterly.com&blog=7723277&post=3086&subd=glassquarterly&ref=&feed=1" />]]></description>
		<wfw:commentRss>http://blog.glassquarterly.com/2010/03/04/opening-threats-to-the-environment-take-center-stage-in-pittsburgh-exhibition/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
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			<media:title type="html">apekshavanjari</media:title>
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			<media:title type="html">JasonForckNextHarvest</media:title>
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			<media:title type="html">LeslieKaplanNecklace</media:title>
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			<media:title type="html">GayleFormanWhatIf</media:title>
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		<item>
		<title>Elliott Brown Gallery to close April 1st as Kate Elliott heads to Santa Fe</title>
		<link>http://blog.glassquarterly.com/2010/03/03/elliott-brown-gallery-to-close-april-1st-as-kate-elliott-heads-to-santa-fe/</link>
		<comments>http://blog.glassquarterly.com/2010/03/03/elliott-brown-gallery-to-close-april-1st-as-kate-elliott-heads-to-santa-fe/#comments</comments>
		<pubDate>Wed, 03 Mar 2010 21:48:54 +0000</pubDate>
		<dc:creator>Andrew Page</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://blog.glassquarterly.com/?p=3082</guid>
		<description><![CDATA[Since Elliott Brown Gallery opened in 1993, it has represented such top-tier artists as  Ann Robinson, Richard Marquis, Hank Adams, and Katherine Gray. Gallerist Kate Elliott was also a trendsetter when, in August of 2002, she closed down her retail gallery location in the Westlake section of Seattle but continued to represent artists at the [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=blog.glassquarterly.com&blog=7723277&post=3082&subd=glassquarterly&ref=&feed=1" />]]></description>
		<wfw:commentRss>http://blog.glassquarterly.com/2010/03/03/elliott-brown-gallery-to-close-april-1st-as-kate-elliott-heads-to-santa-fe/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
	
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			<media:title type="html">glassquarterly</media:title>
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		<title>Opening: Sixth edition of &#8220;Finnish Glass Lives&#8221; documents end of glasshouse era but also the flowering of Studio Glass</title>
		<link>http://blog.glassquarterly.com/2010/03/02/opening-sixth-edition-of-finnish-glass-lives-documents-end-of-glasshouse-era-and-flowering-of-studio-glass/</link>
		<comments>http://blog.glassquarterly.com/2010/03/02/opening-sixth-edition-of-finnish-glass-lives-documents-end-of-glasshouse-era-and-flowering-of-studio-glass/#comments</comments>
		<pubDate>Tue, 02 Mar 2010 20:54:34 +0000</pubDate>
		<dc:creator>apekshavanjari</dc:creator>
				<category><![CDATA[Design]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[New Work]]></category>
		<category><![CDATA[Opening]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://blog.glassquarterly.com/?p=3036</guid>
		<description><![CDATA[On March 5th, the Finnish Glass Museum will open its “Finnish Glass Lives” exhibition, a regular event every five years that seeks to take the temperature of the glass industry in this country that has produced such design giants as Alvar Aalto and Tapio Wirkkala.   
When the exhibition debuted in 1986, Finland was [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=blog.glassquarterly.com&blog=7723277&post=3036&subd=glassquarterly&ref=&feed=1" />]]></description>
		<wfw:commentRss>http://blog.glassquarterly.com/2010/03/02/opening-sixth-edition-of-finnish-glass-lives-documents-end-of-glasshouse-era-and-flowering-of-studio-glass/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
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			<media:title type="html">apekshavanjari</media:title>
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		<title>Opening: Mielle Riggie’s glass dresses at Winston Wachter Fine Art</title>
		<link>http://blog.glassquarterly.com/2010/03/01/opening-mielle-riggie%e2%80%99s-glass-dresses-at-winston-wachter-fine-art/</link>
		<comments>http://blog.glassquarterly.com/2010/03/01/opening-mielle-riggie%e2%80%99s-glass-dresses-at-winston-wachter-fine-art/#comments</comments>
		<pubDate>Mon, 01 Mar 2010 22:42:50 +0000</pubDate>
		<dc:creator>Paul</dc:creator>
				<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Opening]]></category>

		<guid isPermaLink="false">http://blog.glassquarterly.com/?p=3002</guid>
		<description><![CDATA[What is it about the dress? Is it its curves or how it falls on the body, the material used, or perhaps the personality underneath? What is it about the form that makes the dress both elusive and captivating? Perhaps that&#8217;s why artists such as Karen LaMonte, who creates life-size cast-glass dresses, have achieved such [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=blog.glassquarterly.com&blog=7723277&post=3002&subd=glassquarterly&ref=&feed=1" />]]></description>
		<wfw:commentRss>http://blog.glassquarterly.com/2010/03/01/opening-mielle-riggie%e2%80%99s-glass-dresses-at-winston-wachter-fine-art/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
	
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			<media:title type="html">Paul</media:title>
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			<media:title type="html">M.Riggie.Patience</media:title>
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			<media:title type="html">Dreamer</media:title>
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		<item>
		<title>Hot Off the Presses: GLASS 118, Spring 2010</title>
		<link>http://blog.glassquarterly.com/2010/03/01/hot-off-the-presses-glass-118-spring-2010/</link>
		<comments>http://blog.glassquarterly.com/2010/03/01/hot-off-the-presses-glass-118-spring-2010/#comments</comments>
		<pubDate>Mon, 01 Mar 2010 17:57:56 +0000</pubDate>
		<dc:creator>Andrew Page</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Print Edition]]></category>

		<guid isPermaLink="false">http://blog.glassquarterly.com/?p=3004</guid>
		<description><![CDATA[The new issue of GLASS: The UrbanGlass Art Quarterly hits newsstands and subscriber mailboxes today. On the cover: A detail of Beth Lipman&#8217;s Still Life with Grapes (2007), a C-print that measures 29-inches high by 36-inches wide. Lipman&#8217;s icy three-dimensional realizations of opulent tableware on overcrowded tabletops are a frosty take on the excesses of [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=blog.glassquarterly.com&blog=7723277&post=3004&subd=glassquarterly&ref=&feed=1" />]]></description>
		<wfw:commentRss>http://blog.glassquarterly.com/2010/03/01/hot-off-the-presses-glass-118-spring-2010/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
	
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		<item>
		<title>3 Questions for &#8230; Mark Peiser</title>
		<link>http://blog.glassquarterly.com/2010/02/28/3-questions-for-mark-peiser/</link>
		<comments>http://blog.glassquarterly.com/2010/02/28/3-questions-for-mark-peiser/#comments</comments>
		<pubDate>Sun, 28 Feb 2010 21:43:01 +0000</pubDate>
		<dc:creator>Andrew Page</dc:creator>
				<category><![CDATA[Artist Interviews]]></category>
		<category><![CDATA[New Work]]></category>

		<guid isPermaLink="false">http://blog.glassquarterly.com/?p=2990</guid>
		<description><![CDATA[ 
GLASS Quarterly Hot Sheet: What are you  working on?
Mark Peiser: I’m working on the seventh piece of the &#8220;Palomar&#8221; series I began in 2007. I’ve always considered thinking about my work to be part of it. Having been pretty much snowed in for the last two months, I’ve had opportunity to sort out [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=blog.glassquarterly.com&blog=7723277&post=2990&subd=glassquarterly&ref=&feed=1" />]]></description>
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		<title>North Lands releases 2010 Conference and Master Class schedule</title>
		<link>http://blog.glassquarterly.com/2010/02/25/north-lands-creative-glass-releases-2010-conference-and-master-class-schedule/</link>
		<comments>http://blog.glassquarterly.com/2010/02/25/north-lands-creative-glass-releases-2010-conference-and-master-class-schedule/#comments</comments>
		<pubDate>Thu, 25 Feb 2010 18:38:55 +0000</pubDate>
		<dc:creator>Andrew Page</dc:creator>
				<category><![CDATA[Events]]></category>
		<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://blog.glassquarterly.com/?p=2949</guid>
		<description><![CDATA[Organized around the theme of &#8220;Form,&#8221; the North Lands Creative Glass 2010 Conference and Master Classes program will feature a diverse lineup of five artists working in glass and one in clay, whose technical and expressive abilities may well make the epic trek to the windswept Northeast coast of Scotland worth the flight and long [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=blog.glassquarterly.com&blog=7723277&post=2949&subd=glassquarterly&ref=&feed=1" />]]></description>
		<wfw:commentRss>http://blog.glassquarterly.com/2010/02/25/north-lands-creative-glass-releases-2010-conference-and-master-class-schedule/feed/</wfw:commentRss>
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		<title>Curator Kelly Conway to discuss Chrysler Museum&#8217;s glass collection in New York City lecture</title>
		<link>http://blog.glassquarterly.com/2010/02/24/curator-kelly-conway-to-discuss-chrysler-museums-glass-collection-in-new-york-city-lecture/</link>
		<comments>http://blog.glassquarterly.com/2010/02/24/curator-kelly-conway-to-discuss-chrysler-museums-glass-collection-in-new-york-city-lecture/#comments</comments>
		<pubDate>Wed, 24 Feb 2010 22:46:16 +0000</pubDate>
		<dc:creator>Andrew Page</dc:creator>
				<category><![CDATA[Events]]></category>
		<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://blog.glassquarterly.com/?p=2939</guid>
		<description><![CDATA[The glass curator at the Chrysler Museum of Art in Norfolk, Virginia, will be in New York City next week to deliver a lecture entitled &#8220;What&#8217;s New in Glass at the Chrysler Museum.&#8221; On Tuesday, March 2, at 7 p.m. at the monthly meeting of the New York Metropolitan Glass Club, a group of collectors, [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=blog.glassquarterly.com&blog=7723277&post=2939&subd=glassquarterly&ref=&feed=1" />]]></description>
		<wfw:commentRss>http://blog.glassquarterly.com/2010/02/24/curator-kelly-conway-to-discuss-chrysler-museums-glass-collection-in-new-york-city-lecture/feed/</wfw:commentRss>
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		<title>Book Report: Keith Cummings surveys kiln-formed glass sculpture</title>
		<link>http://blog.glassquarterly.com/2010/02/23/book-report-keith-cummings-surveys-kiln-formed-glass-sculpture/</link>
		<comments>http://blog.glassquarterly.com/2010/02/23/book-report-keith-cummings-surveys-kiln-formed-glass-sculpture/#comments</comments>
		<pubDate>Wed, 24 Feb 2010 00:35:32 +0000</pubDate>
		<dc:creator>Andrew Page</dc:creator>
				<category><![CDATA[Book Report]]></category>

		<guid isPermaLink="false">http://blog.glassquarterly.com/?p=2929</guid>
		<description><![CDATA[
Contemporary Kiln-Formed Glass: A World Survey

By Keith Cummings

 ($55, University of Pennsylvania Press)
 
Following up on his 1997 book, Techniques of Kiln-Formed Glass, British artist and professor Keith Cummings sets out to go beyond technical matters and survey the full range of artwork being produced in glass from the kiln. Looking at everything from enameling [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=blog.glassquarterly.com&blog=7723277&post=2929&subd=glassquarterly&ref=&feed=1" />]]></description>
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		<title>3 Questions For &#8230; Gene Koss</title>
		<link>http://blog.glassquarterly.com/2010/02/22/3-questions-for-gene-koss/</link>
		<comments>http://blog.glassquarterly.com/2010/02/22/3-questions-for-gene-koss/#comments</comments>
		<pubDate>Mon, 22 Feb 2010 04:02:02 +0000</pubDate>
		<dc:creator>Andrew Page</dc:creator>
				<category><![CDATA[Artist Interviews]]></category>
		<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://blog.glassquarterly.com/?p=2914</guid>
		<description><![CDATA[GLASS Quarterly Hot Sheet: What are you  working on?
Gene Koss: I’m currently working on a monumental sculpture 13-by-10-by-30 feet titled Line Fence. It&#8217;s inspired by the feeling of a particular site in the Wisconsin landscape. I’m in the metal fabrication stage now working with the fabrication shop. I’ve already spent two years in research [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=blog.glassquarterly.com&blog=7723277&post=2914&subd=glassquarterly&ref=&feed=1" />]]></description>
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		<title>Opening: Roni Horn&#8217;s cast glass sculptures at Boston&#8217;s ICA</title>
		<link>http://blog.glassquarterly.com/2010/02/19/opening-roni-horns-glass-cast-sculptures-at-the-boston-ica/</link>
		<comments>http://blog.glassquarterly.com/2010/02/19/opening-roni-horns-glass-cast-sculptures-at-the-boston-ica/#comments</comments>
		<pubDate>Fri, 19 Feb 2010 19:58:44 +0000</pubDate>
		<dc:creator>Kim Harty</dc:creator>
				<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Opening]]></category>

		<guid isPermaLink="false">http://blog.glassquarterly.com/?p=2560</guid>
		<description><![CDATA[

Conceptual  artist Roni Horn is known for using sculptural materials to play with the viewer&#8217;s perception. Her current show &#8220;Roni Horn aka Roni Horn,&#8221; opens today at the Institute of Contemporary Art in Boston, and includes photography, drawing, and metals such as copper and gold. But the most dramatic pieces are her massive glass castings.
Horn [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=blog.glassquarterly.com&blog=7723277&post=2560&subd=glassquarterly&ref=&feed=1" />]]></description>
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			<media:title type="html">Kim Harty</media:title>
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		<title>Cancer surivivor turns handblown votives into five-store retail success story</title>
		<link>http://blog.glassquarterly.com/2010/02/18/cancer-surivivor-turns-hand-blown-votive-candles-into-5-store-retail-phenomenon/</link>
		<comments>http://blog.glassquarterly.com/2010/02/18/cancer-surivivor-turns-hand-blown-votive-candles-into-5-store-retail-phenomenon/#comments</comments>
		<pubDate>Thu, 18 Feb 2010 23:36:35 +0000</pubDate>
		<dc:creator>Andrew Page</dc:creator>
				<category><![CDATA[Design]]></category>
		<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://blog.glassquarterly.com/?p=2876</guid>
		<description><![CDATA[What do you get when you combine an expertly-merchandised handmade product selling at an affordable price-point ($40), coming in a dizzying range of hues (collect them all!), boxed in environmentally conscious packaging, and offering a compelling story of survival and charity?  The answer is the retail sensation known as glassybaby, a Seattle-based company that saw [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=blog.glassquarterly.com&blog=7723277&post=2876&subd=glassquarterly&ref=&feed=1" />]]></description>
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		<title>Call for Donations: Dan Klein Memorial Fund accepting artworks</title>
		<link>http://blog.glassquarterly.com/2010/02/17/call-for-donations-dan-klein-memorial-fund-accepting-artworks/</link>
		<comments>http://blog.glassquarterly.com/2010/02/17/call-for-donations-dan-klein-memorial-fund-accepting-artworks/#comments</comments>
		<pubDate>Wed, 17 Feb 2010 20:48:08 +0000</pubDate>
		<dc:creator>Andrew Page</dc:creator>
				<category><![CDATA[In Memoriam]]></category>
		<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://blog.glassquarterly.com/?p=2871</guid>
		<description><![CDATA[Artists looking for a way to donate to the Dan Klein Memorial Fund set up in 2009 to honor the life and work of Dan Klein (1938 &#8211; 2009) are encouraged to designate a single work of art that will be included in an upcoming exhibition. When this work is sold, the proceeds can be [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=blog.glassquarterly.com&blog=7723277&post=2871&subd=glassquarterly&ref=&feed=1" />]]></description>
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		<title>Seen: Vividly colored panels made up of layers of glass elements redefine airport footbridge</title>
		<link>http://blog.glassquarterly.com/2010/02/16/seen-vividly-colored-panels-made-up-of-layers-of-glass-elements-redefines-airport-footbridge/</link>
		<comments>http://blog.glassquarterly.com/2010/02/16/seen-vividly-colored-panels-made-up-of-layers-of-glass-elements-redefines-airport-footbridge/#comments</comments>
		<pubDate>Tue, 16 Feb 2010 20:28:53 +0000</pubDate>
		<dc:creator>Andrew Page</dc:creator>
				<category><![CDATA[Public Art]]></category>
		<category><![CDATA[Seen]]></category>

		<guid isPermaLink="false">http://blog.glassquarterly.com/?p=2865</guid>
		<description><![CDATA[The walkway between the ticketing area and the gates at Houston&#8217;s William P. Hobby Airport has been enlivened by six massive glass panels installed along the windows of the connecting bridge in an installation entitled Over Houston (2009). The project, just the latest by prolific public artist Gordon Huether, employs 20-foot by 12-foot acid-etched and [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=blog.glassquarterly.com&blog=7723277&post=2865&subd=glassquarterly&ref=&feed=1" />]]></description>
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		<title>Guest Blogger: Glass as tourist attraction (Part II)</title>
		<link>http://blog.glassquarterly.com/2010/02/15/guest-blogger-glass-as-tourist-attraction-part-ii/</link>
		<comments>http://blog.glassquarterly.com/2010/02/15/guest-blogger-glass-as-tourist-attraction-part-ii/#comments</comments>
		<pubDate>Mon, 15 Feb 2010 18:51:06 +0000</pubDate>
		<dc:creator>Andrew Page</dc:creator>
				<category><![CDATA[Art Market]]></category>

		<guid isPermaLink="false">http://blog.glassquarterly.com/?p=2858</guid>
		<description><![CDATA[ 
Editor&#8217;s Note: This is the second posting by guest blogger Lauren Fujii who asks whether using Studio Glass to build tourism is ultimately good for the artists or the work they produce. Part I can be read here.

Douglas Lloyd Jenkins, director of the Hawke’s Bay Museum and Art Gallery in Wanganui, New Zealand, and [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=blog.glassquarterly.com&blog=7723277&post=2858&subd=glassquarterly&ref=&feed=1" />]]></description>
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