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	<title>Comments for The GLASS Quarterly Hot Sheet</title>
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	<link>http://blog.glassquarterly.com</link>
	<description>Making sense of sculpture and installations made from glass</description>
	<lastBuildDate>Mon, 08 Mar 2010 21:10:47 +0000</lastBuildDate>
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		<title>Comment on Sneak Preview: The show-stopping Glass Art Society fashion extravaganza immortalized in new book by Laura Donefer awarded week-long residency at the Toledo Museum &#171; The GLASS Quarterly Hot Sheet</title>
		<link>http://blog.glassquarterly.com/2009/07/24/sneak-preview-the-show-stopping-glass-art-society-fashion-show-immortalized-in-new-book/#comment-822</link>
		<dc:creator>Laura Donefer awarded week-long residency at the Toledo Museum &#171; The GLASS Quarterly Hot Sheet</dc:creator>
		<pubDate>Mon, 08 Mar 2010 21:10:47 +0000</pubDate>
		<guid isPermaLink="false">http://blog.glassquarterly.com/?p=446#comment-822</guid>
		<description>[...] at her now-legendary, often-risque wearable-glass fashion shows she has been staging since 1989,  most recently at the Corning Museum of Glass on June 13, [...]</description>
		<content:encoded><![CDATA[<p>[...] at her now-legendary, often-risque wearable-glass fashion shows she has been staging since 1989,  most recently at the Corning Museum of Glass on June 13, [...]</p>
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		<title>Comment on Elliott Brown Gallery to close April 1st as Kate Elliott heads to Santa Fe by William Warmus</title>
		<link>http://blog.glassquarterly.com/2010/03/03/elliott-brown-gallery-to-close-april-1st-as-kate-elliott-heads-to-santa-fe/#comment-803</link>
		<dc:creator>William Warmus</dc:creator>
		<pubDate>Sat, 06 Mar 2010 12:15:22 +0000</pubDate>
		<guid isPermaLink="false">http://blog.glassquarterly.com/?p=3082#comment-803</guid>
		<description>Congratulations Kate! Visiting you will be a great reason to make a trip to Santa Fe.</description>
		<content:encoded><![CDATA[<p>Congratulations Kate! Visiting you will be a great reason to make a trip to Santa Fe.</p>
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		<title>Comment on Opening: Mielle Riggie’s glass dresses at Winston Wachter Fine Art by Steve Young</title>
		<link>http://blog.glassquarterly.com/2010/03/01/opening-mielle-riggie%e2%80%99s-glass-dresses-at-winston-wachter-fine-art/#comment-798</link>
		<dc:creator>Steve Young</dc:creator>
		<pubDate>Fri, 05 Mar 2010 02:53:16 +0000</pubDate>
		<guid isPermaLink="false">http://blog.glassquarterly.com/?p=3002#comment-798</guid>
		<description>Nice writing.  You made me feel the sculptures and want to go to the artist&#039;s exhibit.</description>
		<content:encoded><![CDATA[<p>Nice writing.  You made me feel the sculptures and want to go to the artist&#8217;s exhibit.</p>
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		<title>Comment on Elliott Brown Gallery to close April 1st as Kate Elliott heads to Santa Fe by Kate Elliott</title>
		<link>http://blog.glassquarterly.com/2010/03/03/elliott-brown-gallery-to-close-april-1st-as-kate-elliott-heads-to-santa-fe/#comment-791</link>
		<dc:creator>Kate Elliott</dc:creator>
		<pubDate>Thu, 04 Mar 2010 15:18:48 +0000</pubDate>
		<guid isPermaLink="false">http://blog.glassquarterly.com/?p=3082#comment-791</guid>
		<description>Thank you Doug and all the well-wishers who so kindly replied to my Monday night announcement.
 
Come see us in Santa Fe this summer!  

kateelliott@bullseyeglass.com
www.bullseyeglass.com</description>
		<content:encoded><![CDATA[<p>Thank you Doug and all the well-wishers who so kindly replied to my Monday night announcement.</p>
<p>Come see us in Santa Fe this summer!  </p>
<p><a href="mailto:kateelliott@bullseyeglass.com">kateelliott@bullseyeglass.com</a><br />
<a href="http://www.bullseyeglass.com" rel="nofollow">http://www.bullseyeglass.com</a></p>
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		<title>Comment on Elliott Brown Gallery to close April 1st as Kate Elliott heads to Santa Fe by Doug Anderson</title>
		<link>http://blog.glassquarterly.com/2010/03/03/elliott-brown-gallery-to-close-april-1st-as-kate-elliott-heads-to-santa-fe/#comment-790</link>
		<dc:creator>Doug Anderson</dc:creator>
		<pubDate>Thu, 04 Mar 2010 11:15:50 +0000</pubDate>
		<guid isPermaLink="false">http://blog.glassquarterly.com/?p=3082#comment-790</guid>
		<description>Kate, 

Dale and I wish you good luck with this next part of your career. Having known and worked with you for close to 30 years, we know that you, Dan and Lani share an aesthetic and long history.....and that you see things very much the same way. We will miss you when we&#039;re in Seattle.

D</description>
		<content:encoded><![CDATA[<p>Kate, </p>
<p>Dale and I wish you good luck with this next part of your career. Having known and worked with you for close to 30 years, we know that you, Dan and Lani share an aesthetic and long history&#8230;..and that you see things very much the same way. We will miss you when we&#8217;re in Seattle.</p>
<p>D</p>
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		<title>Comment on Opening: Mielle Riggie’s glass dresses at Winston Wachter Fine Art by Bret Gross</title>
		<link>http://blog.glassquarterly.com/2010/03/01/opening-mielle-riggie%e2%80%99s-glass-dresses-at-winston-wachter-fine-art/#comment-776</link>
		<dc:creator>Bret Gross</dc:creator>
		<pubDate>Tue, 02 Mar 2010 18:55:26 +0000</pubDate>
		<guid isPermaLink="false">http://blog.glassquarterly.com/?p=3002#comment-776</guid>
		<description>I about ready to call my travel agent!
Paul Travisano&#039;s descripition of Mielle Riggie&#039;s work (on display in Seattle) is... motivating.
Too bad I&#039;m not a fan of the rain. I&#039;ll sure look for a similar exhibit closer to home.</description>
		<content:encoded><![CDATA[<p>I about ready to call my travel agent!<br />
Paul Travisano&#8217;s descripition of Mielle Riggie&#8217;s work (on display in Seattle) is&#8230; motivating.<br />
Too bad I&#8217;m not a fan of the rain. I&#8217;ll sure look for a similar exhibit closer to home.</p>
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		<title>Comment on Mark Peiser explores the poetry of astronomy and the search for meaning by 3 Questions for &#8230; Mark Peiser &#171; The GLASS Quarterly Hot Sheet</title>
		<link>http://blog.glassquarterly.com/2009/05/21/mark-peisers-unveils-multi-layered-new-work-exploring-negative-space/#comment-766</link>
		<dc:creator>3 Questions for &#8230; Mark Peiser &#171; The GLASS Quarterly Hot Sheet</dc:creator>
		<pubDate>Sun, 28 Feb 2010 21:43:12 +0000</pubDate>
		<guid isPermaLink="false">http://glassquarterly.wordpress.com/?p=46#comment-766</guid>
		<description>[...] The &#8220;Palomar&#8221; series was inspired by the accomplishment of the 200-inch diameter 18-ton glass mirror cast in the 1930’s to complete the Hale Telescope at Palomar Observatory. The astronomers wanted it to measure the speed of light and verify Einstein’s theories. Production of the mirror was considered “a vast experiment” as it was a project of completely unprecedented scale and difficulty. Corning Glassworks won the contract for casting it after all the lensmakers in the world had failed. Eventually the challenge was met and its entire surface shaped and polished by hand and to eye an accuracy of 2-millionths of an inch. It is probably the most carefully and thoroughly touched piece of glass in existence. It fulfilled the aspirations of all its creators as did the finished telescope, which is a triumph and icon of the mechanical age and is known as the “perfect machine.” But making the mirror took two tries. [...]</description>
		<content:encoded><![CDATA[<p>[...] The &#8220;Palomar&#8221; series was inspired by the accomplishment of the 200-inch diameter 18-ton glass mirror cast in the 1930’s to complete the Hale Telescope at Palomar Observatory. The astronomers wanted it to measure the speed of light and verify Einstein’s theories. Production of the mirror was considered “a vast experiment” as it was a project of completely unprecedented scale and difficulty. Corning Glassworks won the contract for casting it after all the lensmakers in the world had failed. Eventually the challenge was met and its entire surface shaped and polished by hand and to eye an accuracy of 2-millionths of an inch. It is probably the most carefully and thoroughly touched piece of glass in existence. It fulfilled the aspirations of all its creators as did the finished telescope, which is a triumph and icon of the mechanical age and is known as the “perfect machine.” But making the mirror took two tries. [...]</p>
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		<title>Comment on 3 Questions For &#8230; Mark Zirpel by Conchita Carridine</title>
		<link>http://blog.glassquarterly.com/2009/12/14/3-questions-for-mark-zirpel/#comment-756</link>
		<dc:creator>Conchita Carridine</dc:creator>
		<pubDate>Fri, 26 Feb 2010 16:30:11 +0000</pubDate>
		<guid isPermaLink="false">http://blog.glassquarterly.com/?p=2095#comment-756</guid>
		<description>not frequently do you stumble upon such well written  work, I am not just inspired  by the content but also how informative everything is.</description>
		<content:encoded><![CDATA[<p>not frequently do you stumble upon such well written  work, I am not just inspired  by the content but also how informative everything is.</p>
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		<title>Comment on Recasting of a Karen LaMonte work purchased by the Chrysler Museum by Curator Kelly Conway to discuss Chrysler Museum&#8217;s glass collection in New York City lecture &#171; The GLASS Quarterly Hot Sheet</title>
		<link>http://blog.glassquarterly.com/2009/12/17/karen-lamonte-work-commissioned-by-chrysler-museum/#comment-749</link>
		<dc:creator>Curator Kelly Conway to discuss Chrysler Museum&#8217;s glass collection in New York City lecture &#171; The GLASS Quarterly Hot Sheet</dc:creator>
		<pubDate>Wed, 24 Feb 2010 22:46:25 +0000</pubDate>
		<guid isPermaLink="false">http://blog.glassquarterly.com/?p=2159#comment-749</guid>
		<description>[...] galleries, and even juxtaposing contemporary glass sculpture with work in its Classical wing, as in the case of a special exhibition of cast glass dresses by Karen LaMonte which was staged as part of the 2009 &#8220;Art of Glass 2&#8243; celebration in neighboring [...]</description>
		<content:encoded><![CDATA[<p>[...] galleries, and even juxtaposing contemporary glass sculpture with work in its Classical wing, as in the case of a special exhibition of cast glass dresses by Karen LaMonte which was staged as part of the 2009 &#8220;Art of Glass 2&#8243; celebration in neighboring [...]</p>
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		<title>Comment on 3 Questions For &#8230; KeKe Cribbs by keke cribbs&#8217; magical world of narrative glass mosaics &#124; Daily Art Muse</title>
		<link>http://blog.glassquarterly.com/2009/10/31/3-questions-for-keke-cribbs/#comment-739</link>
		<dc:creator>keke cribbs&#8217; magical world of narrative glass mosaics &#124; Daily Art Muse</dc:creator>
		<pubDate>Mon, 22 Feb 2010 15:20:43 +0000</pubDate>
		<guid isPermaLink="false">http://blog.glassquarterly.com/?p=1505#comment-739</guid>
		<description>[...] an interview with the artist on Glass Quarterly, where Cribbs explains how she developed Raggedy Man Down Under and other recent characters. You [...]</description>
		<content:encoded><![CDATA[<p>[...] an interview with the artist on Glass Quarterly, where Cribbs explains how she developed Raggedy Man Down Under and other recent characters. You [...]</p>
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		<title>Comment on Bad Day for Boro: Philadelphia Glass Works and Silica Galleries closes its doors by stephanie</title>
		<link>http://blog.glassquarterly.com/2010/01/05/bad-day-for-boro-philadelphia-glass-works-and-silica-galleries-closes-its-doors/#comment-730</link>
		<dc:creator>stephanie</dc:creator>
		<pubDate>Fri, 19 Feb 2010 15:06:52 +0000</pubDate>
		<guid isPermaLink="false">http://blog.glassquarterly.com/?p=2332#comment-730</guid>
		<description>Easy Street Gallery in Brooklyn is sooo dope. We&#039;re sad that the Philly part of their operations closed their doors, but it gives us an excuse to venture up to NYC.</description>
		<content:encoded><![CDATA[<p>Easy Street Gallery in Brooklyn is sooo dope. We&#8217;re sad that the Philly part of their operations closed their doors, but it gives us an excuse to venture up to NYC.</p>
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		<title>Comment on In Memoriam: Dan Klein (1938-2009) by Call for Donations: Dan Klein Memorial Fund accepting artworks &#171; The GLASS Quarterly Hot Sheet</title>
		<link>http://blog.glassquarterly.com/2009/06/29/in-memoriam-dan-klein/#comment-724</link>
		<dc:creator>Call for Donations: Dan Klein Memorial Fund accepting artworks &#171; The GLASS Quarterly Hot Sheet</dc:creator>
		<pubDate>Wed, 17 Feb 2010 20:48:29 +0000</pubDate>
		<guid isPermaLink="false">http://blog.glassquarterly.com/?p=196#comment-724</guid>
		<description>[...] looking for a way to donate to the Dan Klein Memorial Fund, set up in 2009 to honor the life and work of Dan Klein (1938 &#8211; 2009) are encouraged to designate a single work of art that will be included in an [...]</description>
		<content:encoded><![CDATA[<p>[...] looking for a way to donate to the Dan Klein Memorial Fund, set up in 2009 to honor the life and work of Dan Klein (1938 &#8211; 2009) are encouraged to designate a single work of art that will be included in an [...]</p>
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		<title>Comment on Dan Klein memorial fund established to support North Lands Creative Glass by Call for Donations: Dan Klein Memorial Fund accepting artworks &#171; The GLASS Quarterly Hot Sheet</title>
		<link>http://blog.glassquarterly.com/2009/08/31/dan-klein-memorial-fund-established-to-support-north-lands-creative-glass/#comment-723</link>
		<dc:creator>Call for Donations: Dan Klein Memorial Fund accepting artworks &#171; The GLASS Quarterly Hot Sheet</dc:creator>
		<pubDate>Wed, 17 Feb 2010 20:48:26 +0000</pubDate>
		<guid isPermaLink="false">http://blog.glassquarterly.com/?p=749#comment-723</guid>
		<description>[...] looking for a way to donate to the Dan Klein Memorial Fund, set up in 2009 to honor the life and work of Dan Klein (1938 &#8211; 2009) are encouraged to [...]</description>
		<content:encoded><![CDATA[<p>[...] looking for a way to donate to the Dan Klein Memorial Fund, set up in 2009 to honor the life and work of Dan Klein (1938 &#8211; 2009) are encouraged to [...]</p>
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		<title>Comment on Prolific public artist Gordon Huether unveils latest glass sculpture by Seen: Vividly colored panels made up of layers of glass elements redefine airport footbridge &#171; The GLASS Quarterly Hot Sheet</title>
		<link>http://blog.glassquarterly.com/2009/09/24/prolific-public-artist-gordon-huether-unveils-latest-glass-sculpture/#comment-696</link>
		<dc:creator>Seen: Vividly colored panels made up of layers of glass elements redefine airport footbridge &#171; The GLASS Quarterly Hot Sheet</dc:creator>
		<pubDate>Tue, 16 Feb 2010 20:31:02 +0000</pubDate>
		<guid isPermaLink="false">http://blog.glassquarterly.com/?p=981#comment-696</guid>
		<description>[...] connecting bridge in an installation entitled Over Houston (2009). The project, just the latest by prolific public artist Gordon Huether, employs 20-foot by 12-foot acid-etched and sand-blasted glass panes that feature brightly colored [...]</description>
		<content:encoded><![CDATA[<p>[...] connecting bridge in an installation entitled Over Houston (2009). The project, just the latest by prolific public artist Gordon Huether, employs 20-foot by 12-foot acid-etched and sand-blasted glass panes that feature brightly colored [...]</p>
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		<title>Comment on Guest Blogger: Glass as tourist attraction (Part I) by Guest Blogger: Glass as tourist attraction (Part II) &#171; The GLASS Quarterly Hot Sheet</title>
		<link>http://blog.glassquarterly.com/2010/01/05/guest-blogger-glass-as-tourist-attraction-part-i/#comment-689</link>
		<dc:creator>Guest Blogger: Glass as tourist attraction (Part II) &#171; The GLASS Quarterly Hot Sheet</dc:creator>
		<pubDate>Mon, 15 Feb 2010 18:52:27 +0000</pubDate>
		<guid isPermaLink="false">http://blog.glassquarterly.com/?p=2289#comment-689</guid>
		<description>[...] Editor&#8217;s Note: This is the second posting by guest blogger Lauren Fujii who asks whether using Studio Glass to build tourism is ultimately good for the artists or the work they produce. Part I can be read here. [...]</description>
		<content:encoded><![CDATA[<p>[...] Editor&#8217;s Note: This is the second posting by guest blogger Lauren Fujii who asks whether using Studio Glass to build tourism is ultimately good for the artists or the work they produce. Part I can be read here. [...]</p>
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		<title>Comment on Opening: Litvak Gallery prepares to unveil state-of-the-art exhibition space in Tel Aviv next week by Glass gets a unique showcase at Tel Aviv gallery that charges admission &#171; The GLASS Quarterly Hot Sheet</title>
		<link>http://blog.glassquarterly.com/2009/12/09/opening-litvak-gallery-prepares-to-unveil-state-of-the-art-exhibition-space-in-tel-aviv-next-week/#comment-665</link>
		<dc:creator>Glass gets a unique showcase at Tel Aviv gallery that charges admission &#171; The GLASS Quarterly Hot Sheet</dc:creator>
		<pubDate>Tue, 09 Feb 2010 23:24:42 +0000</pubDate>
		<guid isPermaLink="false">http://blog.glassquarterly.com/?p=2069#comment-665</guid>
		<description>[...] Art, to which it is connected via a second-floor footbridge. Others no doubt are coming thanks to the buzz generated by the gallery opening. Close to 700 people crowded into the lobby of Museum Tower for the Litvak Gallery opening night [...]</description>
		<content:encoded><![CDATA[<p>[...] Art, to which it is connected via a second-floor footbridge. Others no doubt are coming thanks to the buzz generated by the gallery opening. Close to 700 people crowded into the lobby of Museum Tower for the Litvak Gallery opening night [...]</p>
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		<title>Comment on Opening: David Willis in Heller Gallery group exhibition this Thursday by barbara halperin selling</title>
		<link>http://blog.glassquarterly.com/2010/02/02/opening-david-willis-in-heller-gallery-group-exhibition-this-thursday/#comment-654</link>
		<dc:creator>barbara halperin selling</dc:creator>
		<pubDate>Sun, 07 Feb 2010 19:55:52 +0000</pubDate>
		<guid isPermaLink="false">http://blog.glassquarterly.com/?p=2663#comment-654</guid>
		<description>i was privileged to have been at the heller gallery opening on thursday evening.  david willis&#039; latest work, combines his beautiful, innovative photograhic skills with startling fall leaves/moss/pears... extending from the photo image.  so hard to believe that these delicate objects are actually made of glass!</description>
		<content:encoded><![CDATA[<p>i was privileged to have been at the heller gallery opening on thursday evening.  david willis&#8217; latest work, combines his beautiful, innovative photograhic skills with startling fall leaves/moss/pears&#8230; extending from the photo image.  so hard to believe that these delicate objects are actually made of glass!</p>
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		<title>Comment on Oldest glassmaking school in Europe threatened with closure by Facing closure, the oldest glass program in Europe wins a reprieve—now comes the hard part &#171; The GLASS Quarterly Hot Sheet</title>
		<link>http://blog.glassquarterly.com/2009/12/10/oldest-glassmaking-school-in-europe-threatened-with-closure/#comment-612</link>
		<dc:creator>Facing closure, the oldest glass program in Europe wins a reprieve—now comes the hard part &#171; The GLASS Quarterly Hot Sheet</dc:creator>
		<pubDate>Thu, 04 Feb 2010 21:45:18 +0000</pubDate>
		<guid isPermaLink="false">http://blog.glassquarterly.com/?p=2078#comment-612</guid>
		<description>[...] of Glassmaking  in the Czech town of Kamenický Šenov in Northern Bohemia was suddenly facing an uncertain future. In December 2009, the school, which trains students for professions in the glass industry and has [...]</description>
		<content:encoded><![CDATA[<p>[...] of Glassmaking  in the Czech town of Kamenický Šenov in Northern Bohemia was suddenly facing an uncertain future. In December 2009, the school, which trains students for professions in the glass industry and has [...]</p>
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		<title>Comment on 3 Questions for &#8230; Lisabeth Sterling by Lisabeth Sterling</title>
		<link>http://blog.glassquarterly.com/2010/01/30/3-questions-for-lisabeth-sterling/#comment-581</link>
		<dc:creator>Lisabeth Sterling</dc:creator>
		<pubDate>Sun, 31 Jan 2010 20:08:19 +0000</pubDate>
		<guid isPermaLink="false">http://blog.glassquarterly.com/?p=2587#comment-581</guid>
		<description>Hi Kelsey-
I&#039;m a fan of yours also. I think I counted eight separate layers of color on one of your vessels. What you do with multiple layers of colored glass is amazing. 

We had talked once about doing a project/event in West Virginia. Is it still in the works?</description>
		<content:encoded><![CDATA[<p>Hi Kelsey-<br />
I&#8217;m a fan of yours also. I think I counted eight separate layers of color on one of your vessels. What you do with multiple layers of colored glass is amazing. </p>
<p>We had talked once about doing a project/event in West Virginia. Is it still in the works?</p>
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		<title>Comment on New &#8220;cottage craft&#8221; advocate Garth Clark ratchets up his criticism of &#8220;palace craft&#8221; and the American Craft Council by Jeff Longtin</title>
		<link>http://blog.glassquarterly.com/2009/12/22/new-cottage-craft-advocate-garth-clark-ratchets-up-his-criticism-of-palace-craft-and-the-american-craft-council/#comment-578</link>
		<dc:creator>Jeff Longtin</dc:creator>
		<pubDate>Sun, 31 Jan 2010 15:51:47 +0000</pubDate>
		<guid isPermaLink="false">http://blog.glassquarterly.com/?p=2179#comment-578</guid>
		<description>Great article. As a Minneapolis potter who did not attend the conference I apprecate a reasoned analysis of GC&#039;s speech.</description>
		<content:encoded><![CDATA[<p>Great article. As a Minneapolis potter who did not attend the conference I apprecate a reasoned analysis of GC&#8217;s speech.</p>
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