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	<title>Comments on: Provocative lecture on the death of the craft movement now available as a print-on-demand book</title>
	<atom:link href="http://blog.glassquarterly.com/2009/10/20/provocative-lecture-on-the-death-of-the-craft-movement-now-available-as-a-print-on-demand-book/feed/" rel="self" type="application/rss+xml" />
	<link>http://blog.glassquarterly.com/2009/10/20/provocative-lecture-on-the-death-of-the-craft-movement-now-available-as-a-print-on-demand-book/</link>
	<description>Art: Design: Culture</description>
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		<title>By: New &#8220;cottage craft&#8221; advocate Garth Clark ratchets up his criticism of &#8220;palace craft,&#8221; and the American Craft Council &#171; The GLASS Quarterly Hot Sheet</title>
		<link>http://blog.glassquarterly.com/2009/10/20/provocative-lecture-on-the-death-of-the-craft-movement-now-available-as-a-print-on-demand-book/#comment-454</link>
		<dc:creator><![CDATA[New &#8220;cottage craft&#8221; advocate Garth Clark ratchets up his criticism of &#8220;palace craft,&#8221; and the American Craft Council &#171; The GLASS Quarterly Hot Sheet]]></dc:creator>
		<pubDate>Tue, 22 Dec 2009 14:17:58 +0000</pubDate>
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		<description><![CDATA[[...] quick recap: Regular readers of the Hot Sheet might recall that in a passionate 2008 speech, Clark argued for a clear distinction between art and craft, a separation that, in his view, became perilously muddled in the late 20th century. In his October [...]]]></description>
		<content:encoded><![CDATA[<p>[...] quick recap: Regular readers of the Hot Sheet might recall that in a passionate 2008 speech, Clark argued for a clear distinction between art and craft, a separation that, in his view, became perilously muddled in the late 20th century. In his October [...]</p>
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		<title>By: The Kamm Teapot Foundation&#8217;s search for a museum home continues &#171; The GLASS Quarterly Hot Sheet</title>
		<link>http://blog.glassquarterly.com/2009/10/20/provocative-lecture-on-the-death-of-the-craft-movement-now-available-as-a-print-on-demand-book/#comment-262</link>
		<dc:creator><![CDATA[The Kamm Teapot Foundation&#8217;s search for a museum home continues &#171; The GLASS Quarterly Hot Sheet]]></dc:creator>
		<pubDate>Mon, 02 Nov 2009 22:32:56 +0000</pubDate>
		<guid isPermaLink="false">http://blog.glassquarterly.com/?p=1289#comment-262</guid>
		<description><![CDATA[[...] archive, the place for not only “teapot artists” or “teapot designers” but also artists and crafters to visit when searching for precedent or [...]]]></description>
		<content:encoded><![CDATA[<p>[...] archive, the place for not only “teapot artists” or “teapot designers” but also artists and crafters to visit when searching for precedent or [...]</p>
]]></content:encoded>
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		<title>By: Andrew Page</title>
		<link>http://blog.glassquarterly.com/2009/10/20/provocative-lecture-on-the-death-of-the-craft-movement-now-available-as-a-print-on-demand-book/#comment-253</link>
		<dc:creator><![CDATA[Andrew Page]]></dc:creator>
		<pubDate>Thu, 29 Oct 2009 20:01:44 +0000</pubDate>
		<guid isPermaLink="false">http://blog.glassquarterly.com/?p=1289#comment-253</guid>
		<description><![CDATA[For those without a complete archive of GLASS magazines (formerly known as New Work) at their fingertips, this link from Darby Bannard&#039;s personal archive of writings which he has made available online: 

http://wdbannard.org/?mode=by&amp;id=69]]></description>
		<content:encoded><![CDATA[<p>For those without a complete archive of GLASS magazines (formerly known as New Work) at their fingertips, this link from Darby Bannard&#8217;s personal archive of writings which he has made available online: </p>
<p><a href="http://wdbannard.org/?mode=by&#038;id=69" rel="nofollow">http://wdbannard.org/?mode=by&#038;id=69</a></p>
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		<title>By: William Warmus</title>
		<link>http://blog.glassquarterly.com/2009/10/20/provocative-lecture-on-the-death-of-the-craft-movement-now-available-as-a-print-on-demand-book/#comment-252</link>
		<dc:creator><![CDATA[William Warmus]]></dc:creator>
		<pubDate>Thu, 29 Oct 2009 18:39:11 +0000</pubDate>
		<guid isPermaLink="false">http://blog.glassquarterly.com/?p=1289#comment-252</guid>
		<description><![CDATA[No Strangers to the End

Avid readers will recall that we published an essay in the Autumn 1986 issue of Glass magazine (the name at that time was New Work: Glass) titled &quot;Craft and Art Envy&quot; by Walter Darby Bannard and that in the same issue I wrote two opinion pieces about &quot;Glass as Art&quot; and &quot;Glass as Craft&quot;. And in 1995 I wrote an essay for Glass magazine titled &quot;The End?&quot; that examined the &quot;completion&quot; of studio glass.

These essays and others in Glass magazine in the 1980s and 1990s investigated issues related to Garth Clark&#039;s recent lectures. I thought that we had over-explored the matter by about 1995, but perhaps a new generation of scholars and critics must work through the issues once again.

William Warmus]]></description>
		<content:encoded><![CDATA[<p>No Strangers to the End</p>
<p>Avid readers will recall that we published an essay in the Autumn 1986 issue of Glass magazine (the name at that time was New Work: Glass) titled &#8220;Craft and Art Envy&#8221; by Walter Darby Bannard and that in the same issue I wrote two opinion pieces about &#8220;Glass as Art&#8221; and &#8220;Glass as Craft&#8221;. And in 1995 I wrote an essay for Glass magazine titled &#8220;The End?&#8221; that examined the &#8220;completion&#8221; of studio glass.</p>
<p>These essays and others in Glass magazine in the 1980s and 1990s investigated issues related to Garth Clark&#8217;s recent lectures. I thought that we had over-explored the matter by about 1995, but perhaps a new generation of scholars and critics must work through the issues once again.</p>
<p>William Warmus</p>
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